Proyecto No - Musical II
Relato / Tale
Relato da cuenta de los eslabones que se articulan en un discurso musical: compositor, partitura, violín, violinista, sonido del violín, partitura verbalizada, voz que verbaliza la partitura, cuerpo en escena, símbolos de la música, símbolos del verbo y auditor. Esta obra muestra a través de la composición, descomposición y recomposición de elementos musical/escénicos un cuestionamiento al canon discursivo de la música, proponiendo abordarla como fenómeno del lenguaje y no como sonido desprendido de una carga simbólica.
Tale accounts for the links articulated in musical speech: composer, score, violin, violinist, violin sounds, verbalised score, verbalised score ́s voice, body on stage, score symbols, verbal symbols, and audience. Through the composition, decomposition and re-composition of musical/performing elements, Tale questions dominant musical speech canons by offering an approach to music as a language phenomenon instead of mere sound devoid of symbolic charge.
Tale accounts for the links articulated in musical speech: composer, score, violin, violinist, violin sounds, verbalised score, verbalised score ́s voice, body on stage, score symbols, verbal symbols, and audience. Through the composition, decomposition and re-composition of musical/performing elements, Tale questions dominant musical speech canons by offering an approach to music as a language phenomenon instead of mere sound devoid of symbolic charge.
Relato No-Musical from Matías Robledo on Vimeo.
Secreto / Secret
Segunda etapa de Secreto. Esta vez se suma un saxofonista, un guitarrista y una flautista. Y se le solicita a cada músico ser más preciso, profundizar en su metodología de estudio, sus conflictos y soluciones en su relación con la música.
Second stage of Secret. This time a saxophonist, a guitarist and a flutist join. And each musician is asked to be more precise, to deepen their study methodology, their conflicts and solutions in their relationship with music.
Second stage of Secret. This time a saxophonist, a guitarist and a flutist join. And each musician is asked to be more precise, to deepen their study methodology, their conflicts and solutions in their relationship with music.
Modos / Ways
Modos es una creación colectiva que nace de la investigación realizada durante una residencia de creación a la cual el proyecto fue invitado, en MateSurLab, Centro Cultural España de Santiago. En este proceso, José Tomás Celis (compositor), Tomás Brantmayer (compositor), Tomás Gubbins (compositor), Stephanie Preller (bailarina) y Matías Robledo del Canto, crearon una partitura para dúo de guitarras, relator/compositor y bailarina, en base a las diferentes maneras de interpretar según las materialidades (guitarra acústica y eléctrica, voz y verbalización de tecnicismos musicales, cuerpo y espacio). Al igual que la obra Relato, pretende dar cuenta de los eslabones que se articulan en un discurso musical, pero de manera diferente, conjugando seis miradas de un hecho en una creación colectiva.
Ways is a collective creation born out from the research carried out during the creative residency to wich the project was invited, in MateSurLab, CCESantiago. In this process, the composers José Tomás Celis, Tomás Brantmayer, Tomás Gubbins, the dancer Stephanie Preller and Matías Robledo del Canto created a work for guitar duo, narrator/composer) and dancer, which everyone would interpretate according to their materialities (electric and acoustic guitar, voice and musical tecnicisms verbalisation, body and space). Like Tale, this work aims to show the links articulated in a musical speech, yet in a different way, by mixing six views of a fact in one collective creation.
Ways is a collective creation born out from the research carried out during the creative residency to wich the project was invited, in MateSurLab, CCESantiago. In this process, the composers José Tomás Celis, Tomás Brantmayer, Tomás Gubbins, the dancer Stephanie Preller and Matías Robledo del Canto created a work for guitar duo, narrator/composer) and dancer, which everyone would interpretate according to their materialities (electric and acoustic guitar, voice and musical tecnicisms verbalisation, body and space). Like Tale, this work aims to show the links articulated in a musical speech, yet in a different way, by mixing six views of a fact in one collective creation.
MateSurLab from Matías Robledo del Canto on Vimeo.
